According to Behringer’s social media post, “Many of you asked for the MS-1. The MS-1 MKII is expected to provide further developed tones, unlocking the sounds of popular bands such as Devo, The Chemical Brothers, and The Prodigy. The prototype boasts an authentic Jupiter voice, with VCOs and VCFs identical to those found in the original version, as well as an autotune and arpeggiator function. In February, the brand teased its latest prototype on Facebook, revealing that they’re working on a full-key version of the Jupiter while simultaneously introducing a more compact and budget-friendly Eurorack package.
Additionally, the device includes a single CV input, which sits alongside a Reset input. The device features ten trigger outputs, each accompanied by Accent outputs, as well as Sync In/Out, MIDI In/Out via a 5-pin DIN connector and USB. The device has been adapted to a Eurorack format, providing a unique offering for music enthusiasts. The RS-9 is not a direct replica of any classic gear item, but it draws inspiration from the Behringer RD-9 and Roland TR-909 drum machines. In March, Behringer confirmed that its RS-9 Eurorack drum sequencer was near production after a successful testing phase. The two effects switches include Range (low/high) and Drive (down/up). It also comes with a peak knob that allows you to adjust the volume of the cutoff frequency and a gain dial that enables you to adjust the filter’s sensitivity to your instrument’s signal. The device features a state-variable multimode filter that offers selectable lowpass, bandpass, or highpass modes. The module has a vintage-inspired faceplate reminiscent of classic Roland hardware, while the digital display bears a striking resemblance to the one found on Behringer’s Arp Odyssey-inspired synthesizer, the Behringer Odyssey.
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The SPACE FX also enables effect combinations and manual synchronization of time-based effects like delay. This is one cool sampling drum machine.” Space FX Image: BehringerĪnother addition to Behringer’s range of Eurorack modules is SPACE FX, a 24-bit digital stereo effects unit featuring 32 Klark Teknik-powered effect algorithms, each with up to three adjustable parameters.
“Aside from the original sound samples, the BMX has also a built-in sampler, analogue filters and much more. In March, Behringer said: “Today, we fired up the first version of our BMX prototype, a homage to the legendary Oberheim DMX,” Behringer stated on Facebook. The back has USB, MIDI, trigger and sync connections, along with individual outs, summed main out, and a sampling input. Behringer kept the DMX’s buttons and faders, but added editing controls and a possibly larger LED/OLED screen. Here, we round up Behringer’s upcoming instruments and the latest updates on its progress.Įvery instrument Behringer is working on in 2023:īMX is a clone of Oberheim’s DMX drum machine.
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Plus, the company recently announced it’s also working on virtual emulations of hardware synths for its imminent free DAW. To date, Behringer has unveiled details of over 27 synths on its Facebook page – the company is apparently working on over 50 – ranging from miniature Roland Jupiter-8-inspired synths to complete recreations of the legendary Yamaha CS-80. Behringer is optimistic, though, stating that “new chip plants” in the United States could facilitate manufacturing from 2023 onwards. Consequently, many music technology companies – Behringer included – are now in a weaker position to mass-manufacture instruments.
Product delays have been exacerbated by the global chip shortages as a result of the COVID-19 pandemic and, more recently, the war in Ukraine. The RD-9, for example, is the brand’s reprise of Roland’s TR-909, and was first announced back in 2018 but wasn’t available to purchase until June 2021. The problem is how long it can often take for Behringer’s ideas to come to fruition.
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